Passive Performance As Multiculturalism. (In New Zealand.) Part 1


This blog I have put together from a presentation I did at a Symposium in Dunedin ‘Interrogating Multiculturalism in New Zealand: An Asian Studies Perspective’ jointly organised by Otago University and Victoria University. It is still rough and there are some gaps to fully support my argument but I prefer to post it rather than write a longer academic article (and it is still in two parts). A friend advised me to read Foucault and Derrida but I do not have the time to digest such heavy reading. You can either agree or disagree.

The title comes from my documentary film DANCE BABY DANCE naach gaana hum aur tum that I made to examine the representation of the Indian community in New Zealand via the Bollywood dance competition at the Diwali Mela organised by Auckland City Council and Asia:NZ Foundation. The questions I asked myself and put to the viewer were ‘What does it mean to be Indian in New Zealand?’ ‘Who are the people that decide?’

When I first came to New Zealand and discovered that Diwali is celebrated as a publicly funded* festival through the organisations above, I was happy and excited. It was a way of sharing my culture with mainstream New Zealand. But the more I saw this festival the more uncomfortable it made me. Is this how multiculturalism is officially expressed in New Zealand? An annual festival that brings in footfalls and local Indians but to what end? How does this help in integration? How does it create a platform for querying your space and identity in New Zealand? What is the discourse around it? Is there a critical discourse? If not why not? The only way I could find out was by making a film. I interviewed the organisers and followed five different kinds of participants as they rehearsed for the Bollywood dance competition (since this was the ‘showstopper’ and heavily promoted and also the most problematic) . What did I infer at the end?

I needed academic backup to support my conclusion. My arguments come from the point of view of being an ‘ethnic’ media practitioner in the mainstream media of New Zealand who is on the fringe of the community and the mainstream by virtue of being neither or both and hence requiring me to be think in a critical manner. Outside/inside or inside/outside.

To begin, I referred to an article by Henry Johnson and Guil Figgins: Diwali Downunder-Transforming And Performing Tradition In Aotearoa New Zealand. This paper
a) Examines the re-contextualization and transformation of Diwali in New Zealand with emphasis on performance
b) Explores the role that various organisations have
c) The ways in which performances are expressions of self-identity and part of a process of place-making.

I’d like to argue that all three are limited and shaped by neo-liberal ideas of multiculturalism that converts migrant/ethnic cultures into soft, non-threatening consumable exotica to maintain the position of the ‘other’ rather than allow for integration. This then (a) Creates a space for passive participation (b) Continues to ghettoise the community (c) Sweeps social issues to the fringe or under the carpet because those are not part of this form of multiculturalism. Cultural differences are celebrated and accepted but rigidly maintained and not allowed tospill over into an effort to have equality of a form that would run counter to the economic norms the regime is expected in the global context to protect.’  I quote Milton Fisk, Professor Emeritus of Philosophy, Indiana University who wrote about Multiculturalism and Neoliberalism.…in the liberalism and the neoliberalism that associate closely with a positive view of the economic market, the notions of equal worth and equal dignity do not imply a right to economic equality but only a right to recognition. Here recognition implies…no more than an acceptance of others with their difference and of the task of maintaining that difference when they desire that their difference be maintained.”

Recognition of diversity is not the same as equality. It is a diversion from normalising and engaging with migrants and their lives and stories in New Zealand. Negotiating multiple identities and existence in New Zealand-they get lost in this ‘recognition and endorsement’ of popular Indian culture (Bollywood) and its economic hegemony. This recognition is like the carrot, it leads to the mirage of freedom and equity. But for the Indian community in New Zealand this multiculturalism continues to underscore and locate representation in food, clothes and performances rather than an exploration of their inherent complexities and space in New Zealand or creating a platform for democratic participation and open, critical discourse. Eventually failing to translate into wider cultural engagement or integration because it is always the ‘other’.

——————————————————————end of part 1——————

*The Diwali Mela is funded through various private sponsors, the Lion Foundation and advertisers but the primary organisations are government bodies who ‘raise’ the money, hence I use the term publicly funded.

The industry, the victims and the ex (or me).


A couple of weeks ago, at a programme organised by a government department, a Pakeha woman explained the importance of retaining and maintaining one’s native tongue in New Zealand. ‘Your language is very valuable. It is your culture. You must not lose it in New Zealand. You must speak your own language’, she implored to a mostly, inherently (I would like to think) multicultural audience. She was earnest and meant well. Us three South Asians huddled after and had a bit of a laugh. That woman was telling us what we already knew and were doing. Somewhere in the hallowed corridors of PCdom it was time to tick the multicultural box and this was the bureaucratic exercise. We should to tell the migrants that they need to maintain their language, culture, etc, whatever. Tick. Job done. When’s the next festival 🙂

A posterchild for us ethnics here in Aotearoa once warned me about the state of (mental) ‘purity’ and stirring up s**t. ‘No one will take you seriously.’ So I call myself the ex-victim. I mean I continue to be a victim. Try being single and a brown woman. Or just a single woman in Indian society. Anyway. Weird, eccentric, irreverent, ex-victim, victim. PCdom says, you are either with us or with them. We are fighting for justice, for you! And you tell us we are wrong? We stand up, for you! This world order needs to be corrected. This is for you! We protest for you!

I don’t oppose the motive. Thanks for fighting for me. The world order does need to be corrected. Thanks for fighting. But should I not also decide how to fight this battle? What if I say I want justice but also to move on? You say justice first and foremost, forgiveness after. It is the method with which I disagree. The method and the power structure.

That standing up for your rights, demanding justice, moving on/reconciliation/forgiveness and introspection go together, hand in hand has been amply demonstrated by Mahatma Gandhi and Nelson Mandela. That is also stimulates dissent rather than silence it is well documented in history. (Bastion Point commemorations this week are about reconciliation. Not like all tangata whenua, Maori, the people of the land, have got all the justice they seek yet. Bastion Point photo; Bastion Point)

I don’t want to be a victim, sure. And it is not my fault, of course. Don’t blame the victim! But I stand up and say that if you, my friend, my benefactor who fights for me keep calling me a victim, poor thing; keep telling me how I can survive in the big capitalist world, make me dependent; keep telling me that I am a sweet innocent thing, incapable…then it just makes me that.

The colonisers told me I was useless, a savage, less civilised than them. My colour, my language, culture, customs all inferior. You beckon me once a year during my festival to prove how wonderfully multicultural Aotearoa is. My colour, my language, culture, customs all lovely, coo-worthy and…exotic. Still stereotyping; reducing my complexity to singular-easy-to-consume-multicultural-byte. Giving me space (thanks); not letting me create and own it because you want to decide how ethnics/migrants should be, poor things.

Equity within the power structure?

And then the blind eye to the cultural baggage within the ethnics. Oh of course we are not supposed to have capitalists, fundamentalists, racists etc amongst us. That does not fit into the the scheme of victim things. Gee and if there is then the ethnics/migrants can sort it out themselves. It is too complex…we just save their souls. Actually ours.

I am going to hell, got my ticket, it’s laminated, on my wall. I’d rather not be a victim all my life, even when I face injustices.